Friday, December 14, 2007

we make fires out of yesterday's news.

this is a work in progress, with no tribute being payed to JJ.
it needs capital letters, better stanzas, and more regular lines.
but it exists. & so it goes.

the hotel room in the morning

you left early, not even leaving
a footprint in the morning snow,
not even lipstick on your tumbler,
not even a fingerprint on the brass
doorknob. while i slept, you folded
and squared the sheets of my bed,
piled them in some corner of my room
i had forgotten about, placing a sole
mint on top - proof you were here.

i imagine i slept with my eyes half open,
my mouth murmuring protests as you flit
like a moonray in a glass of whiskey, unable
to decide whether to leave a note,
and if you did, if you would perfume it
or kiss it shut. and when you decided,
you ran your hands over your dress,
smoothing the wrinkles my hands left.

housekeeping won't have much to do
once i hand in my keycard. they will dump
the bedroom sheets into a garbage bag
and suture it shut. they will hold lighters
to the metal lamps to erase our fingerprints.
they will affix new mirrors so not even ghosts
linger in this room. short-haired maids take
courses in how to erase someone's presence,
they spend years of their lives dedicated to picking
up other people's rose petals, other people's
mistakes. i turn over and eye the thermostat --
you turned it down to sixty as you left,
trying to create a modern igloo with all
amenities, trying to freeze me out. i hear
the maids rapping their skeleton hands against
the door, asking if anyone is still here,
i pull on pants and button up my shirt half way,
my chest still showing, and as i walk past them, i say
"no, one is there. i don't think anyone ever was."

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1 Comments:

At 3:13 PM, Blogger TJ said...

this ended up possibly and alternately suggesting that your poem's speaker is a masturbatory disinfectant of art, a true believer, and/or a homosexual. this is what happens when i write a closet drama with a copy of SPIN magazine in front of me (springsteen's bedroom eyes staring through my soul), on a sunday afternoon before i go to mass. luckily, this is just a comment, not a question. that's all an artist should do - report events. leave the questioning for those who anticipate a test; they miss the forest, all the trees, etc.

maid man or, the parable of the complementary mint of great price

characters:
sergio (the heartless romantic)
the ghost of bruce springsteen (his boss)

sergio enters the poet's room as the poet leaves a one-night stand with a muse, unidentified. sergio peeks around, brings in cleaning supplies. he goes to the bathroom, urinates, flushes, applies toilet cleaner. he goes to the thermostat and turns the dial. he moves to a chair, sits. he looks at the notepad and sees a note begun but abandoned, reading "I don't"; he stands up, walks around, sits back down.

SERGIO: american poets!

he lights a cigarette and eats a few complementary mints

SERGIO: i can imagine the sequel already. setting: a laundromat. the poet watches the "tide" wash away evidence of his or her affair, suggesting also a washing a sins. simultaneous indictment and celebration of modern society. meter: none. literary devices: metaphors begun but never finished; alliteration used as if it had significance by itself; and two texas-sized helpings of that majestic american narrative point of view - the quirky loner, somewhere in between hero and anti-hero. this from the language of shakespeare! oy, dios mio.

he puts out his cigarette, stands up, and cracks his back in a yawning stretch of the arms and spine. he moves to his cleaning supplies and picks up some surface disinfectant and a rag, begins to work on cleaning the already-clean room. he speaks as he works. unsarcastic, though tending toward overstatement.

SERGIO: my fellow americans and unnaturalized citizens in waiting: on the state of our poetic union. you have heard it said, the servant is not greater than his lord, but i tell you, verily, verily, the lord has left his estate and gone to a neighboring town to claim his holdings there. and: why do you crane your necks so? do you not know he has ascended into heaven? moreover: he is dead. if he is so powerful, why does he not even save himself? aha ha, i believe! help my unbelief!

sergio puts down his rag and begins bundling and replacing the linens and towels

SERGIO: no longer poets! i call you coworkers! emblemize with me! let us clean the antiseptic, disinfect the unaffected! we make footprints: in this way, we will give ourselves perpetual work! i clean up after one; another must clean after me; none of this is real, yet none of it is yet art. the toilet is shitless. i go to clean it anyways. in this way, we support ourselves.

THE GHOST OF BRUCE SPRINGSTEEN appears behind sergio as he walks to the bathroom

BOSS: list! o list!

SERGIO: springsteen!

BOSS: i am thy artist's ghost!

SERGIO: (laughing uncontrollably) you were a ghost from the start and you know nothing of my art.

BOSS: hey, that's pretty good. i could write a song around that.

SERGIO: (resignedly) and in the porches of mine ear did pour the leprous distillment...

BOSS: yeah, yeah, it'll be a kind of everyman sentiment, like we're all ghosts in our own ways. especially in this modern world you know.

SERGIO: i need a drink. bruce springsteen, can i fix you a drink?

BOSS: yeah, yeah, what do you got?

SERGIO: the usual. do you want blue or green?

BOSS: gimme the blue. on the rocks. now for this song, do you think i could pull off a minor key?

sergio takes two tumblers, dispensing ice into one. he then takes his cleaning solutions and pours them into the glasses. he passes one to the ghost

SERGIO: is there any other?

BOSS: ah ha! hoo boy, this'll get 'em going good. (picks up the pad of paper and begins writing, lyrics presumably)

sergio quickly finishes his drink. pauses. begins to laugh. stifles it. sighs. looks around.

SERGIO: i pontificate, but to whom? a ghost. myself. i didn't even get laid, like our poet-guest probably did.

BOSS: i hear that my brother. i haven't felt the love of a good woman since i decided to become a musician. hard to believe, right? i know. it doesn't seem true to me at times. but then i reassure myself that i'm alone, and before i know it, i'm on tour, playing the hits all across the country. stages, parties, hotels. i probably even stayed here.

SERGIO: (after finishing a second drink while the ghost talked) hey, that's not bad. (murmuring, to himself) i could use that. (pauses, then gets a devilish idea) bruce, let me get you another drink.

BOSS: hey, thanks. this is really coming together all right.

SERGIO: good, good. (pouring drink, bringing it to the ghost )you know brucey boy, i've always been a fan of your work. (sits next to the ghost) and call me crazy, well hell, maybe i'm just lonely, but i've got an idea that might just solve our...mutual problems.

confusion on the ghost's face, until he catches sight of sergio's suggestive latin eyes. he slowly shows recognition, and coy interest. sergio puts his hand on the ghost's thigh. they lock eyes, move to kiss.

curtain

 

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